Burn Notice Season 7 Episode 9 That’s very satisfying. It’s sad, but it’s fun, too.It’s a little bit the same with episodes, or seasons … you have a sense of where you want to go, so when somebody asks me, “Oh, did you always know how it’d end?” the answer is, “Absolutely yes and absolutely no.” The countdown has begun on the seventh, and final, season of USA Network’s “Burn Notice,”
and as fans will Burn Notice Season 7 Episode 9 see in this week’s episode — the series’ 100th — things are going to get a lot worse for spy Michael Westen (Jeffrey Donovan, who also directed the installment) before they get better.The 100th episode, with the flashbacks to when Michael and Fiona met … we don’t think we’ve ever been so heartbroken at the end of a “Burn Notice” episode.When we first met Michael, he didn’t want to be in Miami. He was a loner, very much by choice, didn’t want any permanent connections with his family, with his friends. Now, he’s isolated from them, and he realizes how much he wants to be with them. Is that ultimately the story of “Burn Notice,” this transformation of Michael?
I think that this season, and the 100th episode specifically, really crystallizes this. Jeffrey did an amazing job of directing it and acting in it and bringing this theme to the fore. Basically, one of the questions we were asking ourselves going into this episode was, “What has Michael been doing for the last six years, and what does that mean for who he was before?” What he’s been doing for the last six years is forging bonds with people. He’s been helping real people in real situations. He’s made a family for himself. He has all of these relationships. And so, with the [season premiere], the idea was, now he’s going back to try to be who he was [when the series began]. Can he be who he was? What does that mean? When he comes back [to Miami], he sees his friends moving on, he sees Fiona moving on … I think the 100th episode is really about Michael realizing how much he’s changed, and how much it hurts to have gained a family and lost it. We talked about the story of “Burn Notice” sort of being the story of Michael learning to be a human being. That’s like the “Afterschool Special” version of it. (Laughs) But he’s a guy who came into the show very isolated and very much about doing a certain kind of job. And then establishing the human connections, he forges these bonds. He’s always explored the way that those human connections are in conflict with his life as a spy. In this season, that conflict is coming to a head. That’s what this season is about. I think it really starts with this 100th episode, where those two sides of Michael clash like they’ve never clashed before. You see just what a toll that takes on the character.
You’re a little more than halfway through production on the final 13 episodes … what’s the feeling on set, with the cast and the writers and the crew, with the end so near? It’s a little odd in the sense that you’re running right through to the end, and indeed, like the end of every season, it’s always a mad scramble. I’d also say, this year, one of the things that we’ve been conscious of, extra conscious of, [is] that we’re coming to the point where writers who are writing episodes, who have been on the show since the first year, are writing their last episode of the series. So we’re taking a little bit more time with stuff. There’s really big stuff happening in every episode.
Burn Notice Season 7 Episode 9 As we’re going forward now, things are taking a little bit more time, yet I know we’re coming up on the end. I go through these weird moments of sadness that I don’t have any time at all to indulge. (Laughs) At the time same, I’m really grateful that we have the chance to bring the series to a satisfactory end, and it’s a whole new way of thinking. To actually be able to think, “OK, so what do we want to pay off from these seven years? What do we want to bring to a close? How do we want to do this?” Are things sort of coming back around, and are we doing more or less what I imagined from the beginning? In many ways, yes. At the same time, the specifics are all new, obviously, and there are a lot of discoveries along the way. I had a kernel of an idea of how the series would end, and that kernel hasn’t changed much.
But there is a long distance between the kernel of an idea and the actual expression of that idea. That’s what we’re moving through now.I think Madeline is a character who started off the series not knowing what Michael did. Over the years, we realized, OK, well, she’s now done more and more, she knows more and more about what Michael does and what’s going on in his life. At this point, we can’t play clueless Madeline anymore. I think she’s evolved into a much richer and deeper character, who is, in many ways, Michael’s conscience, and his connection to humanity writ large. And I think all the characters’ relationships to each other have deepened. Actually, one thing that you really see has changed, in a fun way, is the relationship between Jesse and Sam. Jesse came on in a certain way, and he’s evolved as a character, and now, Burn Notice Season 7 Episode 9 everybody loves writing scenes for Jesse and Sam to do together. You see that in the [season] premiere.I’d love to do that. My main worry is that with both “Dexter” and “Burn Notice” ending, there’s going to be a horrific crime spree in Miami.